Buildings are hard to capture- the size, reflective surfaces and windows, and sometimes awkward angles from below make them tough to shoot. Lightstalking.com has 6 Tips for Better Architectural Photos and we would add to those tips the list of properties and objects that are alleged to be covered by trademark or contract and that may be challenged if you sell a photograph of those properties and objects. The full list can be found on the Picture Archive Council of America website. It is terribly frustrating to spend time and creative energy on a photograph, only to find out the photograph is unusable and unsalable.
- Parades, joggers, your son’s karate lessons are great, but not what we’re looking for.
- Never never submit pictures of people’s backsides (like at the beach) without their permission.
- Don’t submit pictures of kids without parental approval (even kids in other countries).
- Portraits of indigenous or ethnic people are wonderful, but please get a model release.
- Be sure to use names when photographing sports figures.
- We will be culling a lot of editorial images from our collection that do not have proper names, places, etc.
- Be sure to mark recognizable and significant landscapes such as historic building exteriors (where people are not the focus of the shot) as editorial.
Don’t forget to refer your friends. We have an excellent referral program!
Introducing the Logo or “Mark” Usage Extended License. Over the last few years, we have received numerous calls from people asking to use your images as Logos which we haven’t been offer until now. Today, we are happy to announce that you can now license Cutcaster royalty free vectors and images for your personal or business logos. Just remember buyers that these images have been sold royalty free in the past and could be used by others. If you were interested in buying out an image and keeping it just for yourself, please email our webmaster (the email is below).
Any files that sellers have opted into Extended Licensing can now be licensed for logo and “mark” usage for just under $200 by selecting that extended license from the Media Details page and then checking out. We feel this will allow those that want to use your imagery for their logo will have a ton of affordable options to choose from and sellers will have another avenue to make more money on Cutcaster.
If you have any questions or feedback for us please leave them in the comments or email webmaster AT cutcaster.com.
If you would like to be added to this list of the top professional in the photo research and picture buying world (it’s free) please call: (888) 356-2462 or email your information and website to the email@example.com.
Media companies and newspaper & magazine picture desk’s can use this list when they are seeking top professional freelance picture researchers and editors around the globe. These are the top Picture Researchers who can help you through various stages of the getting the correct rights to use an image.
Alyson Whalley – Picture Editor, Art Buyer -UK
Art buying and picture research for corporate and advertising work
Phone – 07940 590884
Charlotte Maguire – Freelance Picture Editor – UK
Freelance Picture Editor and researcher with ten years experience.
Email – firstname.lastname@example.org
Phone – 07816 402468
Jamey O’Quinn – Photo Editor/ Researcher/ Art Producer – Boston, MA
Experienced photo editor and researcher for magazines, websites, and educational books.
Email - email@example.com
Robyn Lange – Photo Editor/Researcher – NYC
Freelance photo editor for top US publications
Website – www.robynlange.com
Alice Jessop – Freelance Picture Editor / Researcher -UK
Works with Newspapers, Magazines and Agencies. Research skills, full contacts book, experience commissioning, briefing, budgeting, clearance and negotiating fees. Photoshop skills.
Email – firstname.lastname@example.org
Bill Van Warden – Photo Researcher – Des Moines, IA
Van Werden Photo Research
Email – email@example.com
Thomas Bonsu-Dartnall – Freelance Picture researcher – UK
Topics include History, Art, Science and Nature etc,
Email – firstname.lastname@example.org
Susi Paz – Photography, Picture Researcher and E-learning Video Producer – UK
Expertise – advertising, publishing, Government departments and the United Nations.
Website – www.susipaz.com
Judy Mason – Picture researcher/Photo Editor – California
30 years experience with U.S. textbook publishers. Specialize in college-level books ranging in subject from music to psychology to information technology.
Hannah Houston – Picture Editor & Researcher – UK
Experience sourcing imagery for newspapers, magazines, online, book publishers and ebooks. Experience in Photoshop, keywording, captioning and cataloguing.
Email – email@example.com
Phone 07789 173 481
Joanna Meadows – Picture Researcher – UK
8 years picture library experience. Experience in sourcing imagery for newspapers, magazines, advertising and book publishers both creative and news / editorial based imagery.
Claire Gouldstone – Freelance Picture Researcher – UK
Picture researcher with 10 years freelance experience within Art, Architecture, Gardening, Textile Design, Interior Design, Graphic Design, etc.
Phone – 01432 344 315
Graham Harper – Picture Editor/Researcher – UK
Experienced working with magazines, books, catalogues & brochures.
Anna Mousley – Picture Editor/Researcher
15 years experience in the photo industry, including picture research, editorial work, copyright clearance, captioning and key-wording.
Sharon McTeir – Picture Researcher/Book Designer – Scotland
18 years experience. Photoshop and Illustrator for photo/vector editing, keywording. Print and digital rights.
Jessica Korman – Picture Editor/ Photo Researcher – UK
Email – firstname.lastname@example.org
Ashley Lumb – Photo Editor – London, UK
Photo Editor with 8 years experience in picture research, production, commissioning photographers worldwide. Works with magazine, book, website and advertising clients.
Kristin Doherty-Burns – Freelance photo editor, researcher, shoot producer –NYC
Experienced in celebrity, food, portrait, product and travel photography. kristinburnsphoto.com
Sean Hannaway – Picture Researcher – UK
Experienced in partworks/magazines, books and newspaper publishing focusing on natural history and sports photography.
Leonie Lodge – Picture Researcher – UK
Experienced at picture research and mark ups to negotiating fees and commissioning shoots.
Email – email@example.com
Mary Rose MacLachlan – Picture Research & Copyright Licensing – Canada
Researcher, editor and permissions experience with over 20 years’ experience in book publishing.
Website – www.mrmassociates.ca
Susie Prescott – Picture Researcher – UK
18 years experience.
Sheri Arredondo – Photo Researcher – St. Albans, ME
First Light Photo Research
Website – www.firstlightresearch.com
Dayna Bealy – Photo Editor – New York, NY
Email - firstname.lastname@example.org
Roger and Judy Feldman – Photo Research, Rights and Permissioning – Chicago, IL
Feldman & Associates, Inc.
Website – www.feldmans.net
Stephen Forsling – Photo research, Image Rights, and Permissions – San Francisco, CA
Forsling image research and permissions, Specialties include fine art and social sciences.
Email - email@example.com
Ilene Bellovin – Editor and Photo Researcher – Larchmont, New York
Producing, researching, licensing images for magazines, websites, books, film and museum exhibits. Top researcher. Ilene Cherna Bellovin
Email – firstname.lastname@example.org
Rizal Alessi – Photo Researcher/Photographer, Jakarta city, Indonesia
More than 10 years experience in photo research for various subjects for national and international publication.
Email – email@example.com
Nancy Tobin – Art & Photo Editor/Researcher – Orlando, FL
Art & photo editor/researcher with 25 years experience in the textbook industry specializing in History and Art.
Kerry Faulkner – Freelance Photo Producer, Researcher, Editor, Art Buyer – Germany
18 years of photo industry experience.
Email – firstname.lastname@example.org +49 151 5070 7858
Lin Barton – Picture Researcher – New York
Experience in academic publishing and art news publications, familiarity with European and American archives and libraries, German and some Italian reading knowledge.
Judy Brody – Photo research & permissions - Bay Village, OH
Photo archiving for commercial and individual collections.
Email – JKB7810@aol.com
Jerry Marshall – Experienced Picture Researcher & Photo Editor – New York, NY
Picture Research & Photo Editing, Permissions & Rights Clearance services to a wide variety of clients for over 20 years. Any size project in any type of media, including trade & text books, newspapers & magazines, web sites, advertising and video.
Email – email@example.com
Daniella Nilva Cunningham – Photo Editor/Footage & Stills Research – New York, NY
Over 20 years experience. Specialty includes Textbooks/Children’s Books/Consumer & Trade Magazines/Multimedia Projects/Copyright Clearance
Anne Burns – Freelance Photo Research – Fort Lee, NJ
Anne Burns Images
Linda Carter – Freelance Photo Services NYC
Photo Research, Editing, Rights Clearance, Writing, Proofreading
Email - firstname.lastname@example.org
Jain Lemos – Producer, Editor, Consultant – Laguna Niguel, CA
Jain Lemos Productions
Website – www.jainlemos.com
Doug Hill – Bethesda, MD
Email – email@example.com
Martha Davidson – Image & Content Research, Licensing – Washington, DC
Additional experience in concept development, writing/ editing on history, art, science
Email – firstname.lastname@example.org
Lindsey Nicholson – Photo Editing, Project Management, Art Direction – NYC, NY
Knowlegable in SEO, Keywording, Project Management skills and working with a variety of editing tools and web-based tools.
Website – email@example.com
Anita Dickhuth – Visual Research Editing/Licensing Services – New York, NY
Images Inc. Experience includes trade, textbook, magazine & custom publishing.
Email – firstname.lastname@example.org
Janice Ackerman – Photo Editor, Photo Researcher and Art Buyer – Brooklyn, NY
Over 15 years experience in the publishing and advertising industries.
Email – email@example.com
Sharon Donahue, Photo Editor, Image research & Permissions – Boston, MA
Extensive experience: fine art, science, history, literature.
Email – firstname.lastname@example.org
Francelle Carapetyan – Image Research Editorial Services – Francestown, NH
Image Research & Permissions, especially arts & humanities.
Email – email@example.com
Lydia Evans – Publishing – Evanston, IL
InContext Publishing Partners
Website – www.incontextpub.com
Toby Greenberg – Picture Researcher & Editor.- New York, NY
Toby Greenberg Picture Research & Photo Editing
Website – www.tobygreenberg.com
Melissa Allison – Photo Researcher, Editor and Permissions – Palo Alto, CA
Website – http://www.pacificpictureresearch.com
Maureen Collins – Senior Photo Research, Editor, Permissions Pro.
Image Specialist, Maureen Collins Photo Research/Editing/Permissions Lemont, IL
Email – firstname.lastname@example.org
Frances Brown – Photo Researcher, Keywording – Evanston, IL
Email – email@example.com
Josh Brown – Photo Permissions and Research – Valparaiso, Indiana
Pre Media Global
Email – firstname.lastname@example.org
Alicia DiPiero – Freelance photo researcher, editor and coordinator – Austin, TX
Alicia DiPiero Photo Research
Website – www.aliciadipiero.webs.com
Erika Hokanson – Print and online content specialist – Newbury, NH
Print and online content specialist. Integrated editing & photo research service. Refresh Media Resources
Website – email@example.com
Marybeth Kavanagh – Picture researcher, Editor, Art Buyer, Photo Editor – Loma, CO
Kavanagh Media Research. Top Level Picture researcher and editor for print and online products with 20+ years experience
Email – firstname.lastname@example.org
Barbara Salz – Image Researcher, Photo Editor – South Orange, NJ
Full service image research, photo editing, photo program development, licensing and permissions. Barbara S. Salz, LLC
Email – email@example.com
Debra Lemonds – Photo editor – Pasadena, CA
Photo layout and design. Photo research. Editorial and advertising projects. Debra Lemonds Picture Editor
Email – firstname.lastname@example.org
Jane Yeomans – Photo Editor/researcher – New York City, NY
Email – email@example.com
Mary Fran Loftus – Photo & Fine Art Research, Permissions – New York City, NY
Omni-Photo Communications, Inc. Project Consultation
Website – www.omniphoto.com
Rory Maxwell – Photo Research and Editing, Permissions, Data Entry – Norwalk, CT
Over 20 years in the industry. Rory Maxwell Photo Research
Email – firstname.lastname@example.org.
Mary Rose MacLachlan – Photo Researcher, Visuals and Literary Permissions, Copyright Licensing Specialist – Salt Spring Island, Canada
Website – www.mrmassociates.ca
Martha Witte – Freelance Photo Researcher.- Philadelphia, PA
Worldwide image and permission sourcing for business and publishing. Martha Witte, picture researcher
Website – www.wittepixarena.com
Laura Wyss – Photo Researcher – New York City, NY
Specializes in books and book covers. Wyssphoto, Inc.
Website – www.laurawyss.com
Maryellen McGrath – Photo Researcher, Editor, Producer, Photographer – New York City, NY
20 years experience in the photo industry (print, marketing, online which includes entertainment, news and sports).
Email – email@example.com
Alicia DiPiero, Photo Researcher/Editor – Austin, TX
Experienced photo specialist with twelve years of experience procuring, licensing and tracking photographs for large scale programs in the educational publishing industry;
Email – firstname.lastname@example.org
Debbie Needleman – Friendliest Freelance Photo Researcher – Portsmouth, NH
Photo and art research. Over 20 years experience for publications, documentaries and museum exhibits
Email – NeedDeb@gmail.com
Mary Risher – Picture Research, Photo Editor – Noblesville, IN
Image Management & Shoot Production www.maryrisher.com, Mary Risher Media
Email – email@example.com
Walter Malden – Image Researcher/Editor
Image research, editing, producing, licensing/permissions for publishing and advertising worldwide. Acme Pix Los Angeles, CA
Website - www.acmepix.com
Joan Meisel Picture Editing & Research New York, NY
20 years experience in picture editing, research & permission acquisitions. All subjects.
Email – firstname.lastname@example.org
Beth Reitmeyer – Research and licensing; art buyer – Bowling Green, KY
Photo, film, sound, text research and licensing; art buying; specializing in education & humanities, Better Imaging
Email – email@example.com
Robin Sand – Photo Researcher & Editor – Whitestone, NY
Image Rights, Permissions, and Licensing Specialist, Robin Sand Photo Research
Website – firstname.lastname@example.org
Barbara Schultz – Photo Editor/Researcher – New York, NY
Editorial and archival news, history, fine art. Schultz Image Consulting
Website – www.barbaraschultzimageconsulting.com
Joan Mathys – Picture Researcher/Photo Editor – Washington, DC
MJM Picture and Film Research
25 years experience researching and licensing images
Email – email@example.com
Maggie Silker – Image Researcher & Editor – Marlboro, MD
Experienced in books, magazines, exhibits, websites, newsletters and slide shows. PhotoRes Upper
Website – www.photosearcher.com
Deborah Nicholls – Photo and Footage Research – Boston, MA
Research and licensing; specializing in the textbook and travel markets. Media Research
Email – firstname.lastname@example.org
Kristin Sladen – Photography Services – Bedford, MA
Experienced photo editor in both print and online, specializing in research and permissions.
Email – email@example.com
Lauren Stockbower – Picture Editor and Researcher – Annandale, VA
Email – firstname.lastname@example.org
Fay Torresyap – Photo Editor, Photo Researcher – New York City, NY
20 years experience. All subjects. Bluedot projects
Website – www.bluedotprojects.com
Rachel Youdelman – Editorial photo research, editing, rights/licensing – Boston, MA
Fine arts, history, science. Rachel Youdelman Picture Research Brookline
Email – email@example.com
Vikii Wong – Researcher, Editor – Brooklyn, NY
Researcher, Editor, Buyer, Consultant, print, new media, video. Vikii Wong
Email – firstname.lastname@example.org
Carola Strohoff – Picture Editor & Researcher – UK
Experienced Picture Editor, Researches for Text & Photographs, Production Services, Worldwide Researches, Languages: German, French and English,
Email – email@example.com T +44 20 8743 5766
Louise Turner – Picture Researcher – UK
Freelance Art buying and Picture Research to Ad Agencies with 15 years experience in the industry.
Copyright is defined as the exclusive set of rights granted to the author or creator of an original work, including the right to copy, distribute and adapt the work. In addition, any of these rights can be licensed, transferred and/or assigned to another party like what takes place at Cutcaster when we license or sell one of your images royalty free. Copyright only lasts for a certain time period, after which the work is said to enter the public domain. The Berne Convention for the Protection of Literary and Artistic Works protects any creator of “original works of authorship” under it’s copyright law which protects works in all 160 countries that are party to the Convention, as well as various other laws such as the US copyright act.
Copyright law has been internationally standardized, lasting between fifty and one hundred years from the author’s death, or a shorter period of time for corporate authorship or anonymous works. Generally, copyright is enforced as a civil matter, though some jurisdictions do apply criminal sanctions.
Before 1989 all published works, in the US, had to contain a copyright notice, the (c) symbol, followed by the publication date and copyright owner’s name, to be protected by copyright. This is no longer the case and use of a copyright notice is now optional in the US, though you will still see them used.
Does copyright apply to all images?
Yes, every image out there from the time it is created becomes automatically protected under copyright laws. One should know, that copyright law is different from country to country, and a copyright notice is required in about 20 countries for a work to be protected under copyright laws.
What is copyright infringement?
Copyright infringement, copyright piracy or copyright violation, is the unauthorized use of photos covered by copyright law, in a way that violates one of the copyright owners’ exclusive rights. Imagery infringement may include:
• Using the image beyond the scope of a license or permission granted
• Recreating an image identically with another photographer
• Use of whole or part of an image without permission i.e. “mash-up” or derivative work
• Art rendering, where someone adapts an image without permission
The checklist of considerations and questions below are important to think about when you found an image online and want to use it for whatever creative or editorial reason. Here is a checklist of things to ask yourself when licensing and using an image:
Ask yourself, how am I using the image exactly?
If the image is going to be used on a t-shirt design, within a mobile app, on a road-side billboard, for an e-device, on your client’s homepage or within a college textbook just to name a few, you will want to make sure that the license covers your particular usage. If you don’t know if you are covered, then don’t assume. You can always call up the photographer or stock photo agency to ask if your specific usage is covered by the license they offer. Better to be safe then to assume.
I need to be able to use an image forever. Will the license I buy ever expire?
This is very important. Start by asking yourself, “how long do I want to use a particular image for any project?” Check if the photo license expires in the future or grants you rights to use the image ‘in perpetuity’, which is just legal jargon that means the license doesn’t expire. Always check to make sure there isn’t a time restriction on your usage. Royalty free licenses are almost always ‘in perpetuity’ and won’t expire. Rights managed licenses have restrictions and limitations on how long you can use an image. Make sure you record if the license expires on a certain date and save that information along with the image. If someone created a website for you make sure that the images they selected for you don’t expire. The last thing you want is an unexpected bill or an email from an angry photographer or agency questioning why you are still using an image, whose license has expired.
Does the amount of times I print the image matter?
This is a good time to double-check how many times you want to print, reproduce or otherwise use an image. This is sometimes called “print run.” For example if you are going to print an image 10,000 times on a poster or use the image for a book cover that will be printed over 250,000 times, you want to make sure that the license doesn’t have a “print run restriction” that might require you to pay extra for any excess prints you make over the allotted amount. If you know your usage will exceed the number of times you can print it according to the license, you can purchase an additional license exemption in some cases called an extended license so you increase your print run to unlimited.
Am I licensing Royalty Free images or Rights Managed images?
Knowing the difference between these two license types is extremely important and will affect how your able to use the image. Clicking the checkout button and paying for the image doesn’t mean that you can use it anyway you like. You need to know the rights you are obtaining through the license.
If I use a subscription service to license images am I still allowed to use the images I downloaded after my subscription ends?
No, unless you used a specific image for a project during the time of your subscription. In that case, you can re-use the image but if you do not use the image during the time of your subscription and then use it after your subscription ends you are in violation of your licensing agreement and subscription sites will send a team of lawyers after you. You have to be very careful of subscription sites and their license. A person who cancels their stock subscription can not stockpile, download, or otherwise store images not used within a few months of the expiration of their subscription. This means you can not use any image which was downloaded but not used in a personal project or clients project during the time of your subscription. All subscription sites have a provision that limits how you can use images you downloaded during the subscription period that have not been used in a project. This is called image warehousing.
Ask yourself, Are there recognizable people, famous landmarks or artistic works (such as paintings or sculptures) in the image?
For commercial use, you need to double-check that your supplier holds the appropriate model or property release for that image. A simple email asking the photographer or agency for confirmation that they hold the releases is a good start.
Does the photographer or stock agency offer legal protection with the image license?
You will want to find out who assumes the liability and costs if a claim arises and you have to go to court. Does the license that you are considering buying cover you from these types of claims? Ask yourself and check the license to determine what kinds of claims are covered by the legal protection.
Where is a good place to ask for advice if you are not sure?
Stock Photo License is a good place to start for information and you should bookmark the resource and link to it from your site to help others. You can email them at firstname.lastname@example.org or ask them a question on Twitter by using @stockphotousage. Next, you could contact the photographer or stock agency. However, the best advice is to contact your legal counsel if you have specific questions.
If you are looking for amazing royalty free photos and vectors please visit Cutcaster.com.
Find top notch, authentic looking, and affordable images at Cutcaster. Cutcaster is a royalty free photography and vector marketplace that connects image buyers with image sellers. Pay once, download the picture or illustrations, and use it forever even if you use it in other projects.
Are you looking for the perfect image? Cutcaster helps you find the most relevant pictures fast and within your budget. To find images at Cutcaster all you need to do is perform a keyword search and then use the advance search options to filter down your image search results. Quickly browse through our growing stock library using our Advanced Search tools to find just the right image.
Buying Stock Images Has Never Been Easier
Once you are ready to download and checkout with your image, just choose the photo payment method that’s right for you! For your convenience and affordability, you can pay via any major credit card, use site credits, or pay via PayPal. We are extremely flexible and can tailor licensing packages to meet any creative or editorial need. Just ask. Make yourself at home browsing around our site. Most photos cost only a few dollars and are fully released and checked to ensure the highest quality.
Here is a breakdown of our flexible payment options:
* Pay With a Credit Card. Download royalty free photos with any major credit card.
* Pay by Credits. Our popular Credit Plans lets you purchase credits, Cutcaster’s virtual currency, to be used toward individual images with either Standard or Extended License Agreements; The more you buy the more you save.
* Paypal- Want to pay via Paypal? Send us an email to email@example.com with the size and url of the file you wish to purchase and we will send you an invoice and the file via email immediately. Subscription Plan.
The legality of digital image use is often murky, and many resources that try to explain it are too full of jargon to make sense to people outside the photography or licensing industries.
Stock Photo License (SPL), a newly created resource from Cutcaster, explains legal photo usage for image researchers, photo buyers or anyone who wants to legally use images found online. Stock Photo License provides a framework for making informed licensing decisions and stock photo purchases, and highlights online resources that can help protect against legal pitfalls.
Check out Stock Photo License and comment below if you have a question about licensing images online.
See a copy of the Stock Photo License press release below.
Cutcaster Launches Educational Copyright Resource, Stock Photo License
September 16, 2010 – San Francisco, California
Stockphotolicense.com, an educational copyright resource for photo buyers and researchers, launches their new website today with the goal of explaining in simple terms how one can use an image online and the various legal complexities of digital image use. The site provides detailed information on image license types, photo copyright issues, legal protections and extensions, using free images, Creative Commons, personal vs. commercial use and provides a list of questions you can ask your image suppliers before you buy an image.
As image use among bloggers, website owners and graphic designers increases, many image users don’t understand specific licensing terms or how to legally use content they find online. This has increased the amount of illegally downloaded images and copyright infringement cases, most of which happen without the image user realizing the legal ramifications of his actions. Stock Photo License provides a checklist roadmap with questions you should consider to ensure the legality of your online image use.
“We receive a variety of questions relating to the differences between royalty free and free images as well as how an Internet user can utilize images they find online.” John Griffin, of Stock Photo License and Cutcaster said. “Stock Photo License specifically presents information and resources on image licensing and copyright matters for the image researcher, photo buyer or anyone that wants to legally use another person’s image they found online.” The website lists copyright and legal resources as well as asks typical questions with answers to help an image user.
Stockphotolicense.com was created by Cutcaster, a photography marketplace that specializes in royalty free photos as well as free images, to serve as a resource for both photographers who upload their images online and those looking to download images. Stockphotolicense.com has an active user base and is seeking to add more resources to its list of specialists. If you own or know of a copyright or licensing resource that could work with Stock Photo License please reach out to the team at firstname.lastname@example.org or follow SPL on Twitter @stockphotousage.
For more information on Stock Photo License please email email@example.com or Cora Reed at firstname.lastname@example.org.
About Stock Photo License
Stock Photo License (SPL) presents information and resources on image licensing and copyright matters for the image researcher, photo buyer or anyone that wants to legally use another person’s image they found online. The website’s goal is to provide those who are unsure about image licensing with the information, legal definitions and resources to make informed and legal stock photo purchases. Stock Photo License is for every photo researcher, photo buyer, photo user and photographer who is interested in learning more about the changing landscape of photo licensing and is a collaborative effort between all the parties involved with photo licensing.
Cutcaster has tapped into a new and unique source of royalty free photos and illustrations that can be used for any kind of web design, publishing, printing brochures, advertising, annual reports, or presentations. Cutcaster created the first model that adds structure to support licensing user-generated photography and vectors when you don’t have the budget to do it yourself. Sellers can set their prices or use the Cutcaster Algorithm to determine a fair market price. Photo buyers purchase content at a set price or by placing bids.
Visit www.cutcaster.com for more information.
A lot of times when you find an image online that you want to use it might not be that clear what you need to do in order to legally license the image and use it for your creative project. Whether there are questions surrounding the license type, the usage, any restrictions, who the actual copyright holder is or if your usage requires a model or property release. To sum up some of the ways you can use photos at Cutcaster we created this short writeup to show you how you can use Cutcaster images?
Cutcaster images may be applied to the following uses (in most cases limited to 500,000 copies under our Standard License):
• You can use any images in advertising posters and brochure design for use in promoting the sale of other products.
• Within editorial or advertising copy in newspapers, magazines, books, book covers, school textbooks, editorials and directories.
• In coordination with opt-in marketing.
• For product packaging.
• On letterhead and business cards, brochures, pamphlets, catalogs and on pop-up and/or panel displays for use in trade shows or at conventions.
• In multimedia presentations and incorporated into film and video for distribution and/or sale in the home video market OR for broadcast and/or theatrical display..
• Use as a background image or splash screen within software .
• On cover art and/or artwork used on in CD or DVD .
• In eBooks for any e-device reader, including multi-seat license electronic textbooks.
Please note, certain restrictions apply depending on whether you’re purchasing the images under a Standard Licensing contract or if you are purchasing an Extended License (EL). You can learn more about the differences between licenses by clicking on this link to our legal page.
Are there ways I CANNOT use Cutcaster images?
There are some use cases, in which you are prohibited from using an image purchased from Cutcaster under our Standard License. These include:
• Print runs exceeding 500,000 copies unless an Extended License is purchased which would give you an unlimited print run.
• Print on demand (POD) projects such as wallpaper, postcards, mousepads, mugs, t-shirts, posters, giclee prints, artwork and other items.
• Any unbecoming or derogatory depiction of the model or persons pictured in an image, including use of models in pornographic material, political endorsements and alcohol, drug, or tobacco campaigns.
You also cannot:
• Resell or share Cutcaster content.
• Use any Cutcaster image as part of a trademark, service mark, or company logo.
• Try to depict that the image was created by you or anyone other than the copyright holder of that image.
Please always read the contract first before you buy any images form Cutcaster and consult your legal team if you have specific questions. We are here to help but are not a substitute for your specific usage. Feel free to contact us at webmaster AT cutcaster DOT com.
A ‘comp’ (short for complimentary) is a free, low-resolution, watermarked version of Cutcasters’ images. Buyers will generally download comps to evaluate an image’s suitability in a particular creative project or to evaluate varying page designs.
‘Comps’ may also be used by photo researchers or photo buyers who are doing research or purchasing images for a third party and need to seek this party’s approval of the image(s) prior to purchasing. Comp images may not be incorporated into any finished products.
To download a comp, you must first login to Cutcaster and then the download will be moved to your desktop.