Anyone reading this blog knows how much Lee Torren at Microstock Diaries has taught us at Cutcaster and how good of a writer he is. We have written about him numerous times and directed people to his impressive writing. Lee makes so many astute points and is very open about his experience working in Microstock as a side job that it’s starting a trend of Openness in the industry that is better for everyone. I am continually impressed with his insights and how he understands businesses and trends. We were blessed enough to get a write-up from Lee yesterday and I wanted to share it with our audience because I think he really gets what we are trying to do.

And if you want to learn anything about the Microstock industry, his blog is a great place to start.

Here is the article below.

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It’s been a few days without a post, so we just wanted to say a quick hello. Apologies for the lack of posting, we’ve just been busier than ever after some good press boosted traffic and a steady stream of content uploading has kept the database expanding. We’re currently rolling out some new and exciting functionality that will make our content marketplace even more unique, and having said that, please bare with us through any bugs you might encounter :) Anyways, come check us out as always at www.cutcaster.com.

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I’m sad to report that LO is shutting their doors. We really liked their site’s look and feel but realize that you need the photo buyers to hang around. Best of luck to their team.

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This was me two seconds after Simon agreed with Randy that Cutcaster’s New Content Bidding platform is totally revolutionary ;-)

Thanks to my guys and here’s me singing “Living on a Prayer!!!!”

Happy Tuesday and have a good laugh everyone.

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5. Have you found that photographers raise the prices above those the algorithm recommends when they think they’re too low?

They have that option if they wanted to but have not noticed data that points to that as of now. We have seen people default to the algorithm and watch how it prices the content and are intrigued to see where it will price a RF license. I’d say, generally they will price it higher but if it is priced too high a buyer can go in and submit a lower bid so the seller can still capture that sale if they do happen to price their content too high and agree to the bid.

6. And what about the bids? Are buyers quoting prices in line with your algorithm as well or are they low-balling in the hope of getting lucky?
See number 7

7. Have you found that some photographers are prepared to accept low prices in order to make a sale?

The bidding process is just being rolled out as we speak to the live site so we don’t have hard data for the live site but it’s going to be great to see it in action and how buyers use it. I’m very excited. From the research we did over the last two years and speaking with creators/sellers we believe that sellers wanted to be notified if there is an interest from potential buyers but only at a lower price. It’s a really simple and easy process for someone to submit a lower price (i.e. bid for content) with a message and then so simple for a seller to accept the deal, submit a new price back, or decline the lower price. The prices are accompanied with a message so the two parties can speak back and forth if they wanted to. If they can capture a sale that isn’t too far off their initial offering price the research points to evidence that they want the option to accept, reject or make a counter-offer. They just never had the tools to do this.

In your blog article you said, “It might be accurate to say that there isn’t a market rate but rather different rates for different markets.” We want to make sure the seller can capture that by helping him price his content but then be able to sell it to different buyers with different budgets while having the power to choose whether they accept or decline the chance to have a sale.

8. What might cause an image to be rejected from Cutcaster?
We are very open and want to create an environment that teaches people how to create amazing content that is also commercially viable so we are concerned and want to help creators get as good as they can. I put my cell phone number on the site and my personal email so people are always free to reach out to me or anyone on the team with any questions. We have a contributor policy that states what we will and wont accept and a list of desired content as well. We wanted to create an open marketplace to all and get away from the Getty exclusiveness, which works well for them but excluded a large part of the market. A great example for why an image would be rejected is if the image didn’t belong to you. Our idea was to create the most transparent, secure and open marketplace, which would be the first real consumer-licensing vehicle.

9. And finally what advice would you have for sellers hoping to upload and sell lots of images through your site?

Anyone can be a photographer. Its not up to me to decide. Anyone can convey his or her visual art to the world. There are no preconceptions. There are no “gatekeepers” saying you are not good enough. We want to be a part of the future and represent it with anyone who wants to be a part of it as well. This means breaking new boundaries and speaking to a new audience along with parts of the older audience that wants to be a part of the new industry and our current audience who gets both.

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This is the first part in a series of questions I was asked by Photoprenuer that I thought I would put on the blog. I’ll release more of the interview later.

1. First, how long has Cutcaster been around and what’s the idea behind it?

Cutcaster is a brand new approach to the licensing marketplace. We are just starting to go to market with the business now that we have moved past phase 1 of our development and will begin a big marketing push starting at the end of March.
The other co-founder and I come from a stock trading background down on Wall St and the idea was to create an electronic marketplace similar to the one we worked in, which gave control over pricing back to the sellers and buyers in the market and provided tools to educate the participants in order to make better decisions over buying, selling and creating. We wanted to create a dynamic marketplace much like the NASDAQ stock exchange and also give people tools to educate themselves on what the marketplace was looking for, analyze the data surrounding their content and find available market research like a tool we used called Bloomberg in finance. Sellers can set their own price or choose the Cutcaster algorithm to fluctuate prices. On the other hand, buyers can submit a bid or lower price for content which a seller can accept, submit a new counter-offer or decline.
So Cutcaster was conceived as a community based content marketplace where all forms of photos and videos can be securely bought, sold or requested from the Cutcaster community. Cutcaster sought to create a consumer friendly licensing platform that took the best elements of sites like Flickr, YouTube and eBay and let people rapidly find, quickly review, grab back control over pricing and acquire still image and video content. We started working on Cutcaster in the fall of 2006 but I left my job on Wall st. to pursue this full time because the demands of the business were too much.

2. How does your pricing algorithm work? What is it basing quotes on and how often are the prices updated?
The price is based on the purchase of a single RF license for the desired file. The site is only RF at the moment but we are planning on offering different types of licenses in the very near future and the option to buy extended rights. The price will adjust to a number of different variables we isolated as being important when quantifying the cost of purchasing a RF license. Some variables the algorithm analyzes are time, demand, the amount of supply for a particular image, views, exclusivity, keywords, costs for photographers, what it would cost a buyer to create the file, return on investment for taking time to upload content into marketplace, return on investment for searching for content etc. We spent a good 2 years examining how the market was pricing content for different license types, what the different sites were charging their buyers, what the different ways the market was pricing content and what people thought about pricing their own content. We went straight to photographers/videographers and to potential buyers on our site to determine what the best solutions could be for helping the market better price content so it was fair to all. And a dynamic marketplace was the solution we can up with.

3. What causes the prices of images to rise and fall?

Rise- views, downloads (double edge sword for RF based on competitors using the same images possibly), exclusivity on the site, time variable, originality, the seller changing price, buying extended rights through site, increase in keyword queries etc

Fall- lower bid, time on the site without sales, uniqueness, poor metadata management, same usage same clients scenario, the seller lowering price, buyer proposing lower bid, seller responding to lower bids.

4. How often do sellers set their own prices? How do these compare to the prices recommended by your pricing algorithm?

Pricing options are controlled by the sellers and the price paid is controlled by the buyers (buyers can accept the price or they can submit a lower bid for content). Sellers set their prices about 40% of the time, which means they choose a price that is set and doesn’t fluctuate. Plus, they can go in and change the price so they are not locked in to what they initially set or what we tell them is best for them ;-) It’s supposed to be a fluid system where buyers and sellers can adjust to what the market is telling them. The rest of the time they choose the algorithm, which has a default starting price to help them, and will move up or down based on the variables listed above.

The prices generated from the algorithm are generally in line with that of which the sellers set themselves and we track how they are pricing their content so we are able to adjust our default start price. We can even go into the backend and adjust the starting prices for particular content. The default prices for setting the first price is 5 for photos and 50 for videos but users can choose the starting price they want so it could be higher or lower depending on what the seller wants. They can choose.

More to come later….

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Julia Dudnik Stern over at Selling Stock wrote up another great synopsis of Cutcaster and explained how we want to change the licensing market by helping people understand how to better monetize and price their photos and videos.

Established in 1995, Selling Stock is a daily online newsletter, which reports on the worldwide stock photography industry with an emphasis on the U.S. market. If you are interested in and work as a stock photographer, at an agency, are a distributor or an investment analysts, you will enjoy their coverage. The sort of famous, Jim Pickerell is also an author there but we were ecstatic that Julia reached out to us. They send out a newsletter and well worth the fee for subscribing to it.

Here is a portion of the article below.

Cutcaster: Stock Trading Meets Stock Licensing
Posted April 7th, 2008, by Julia Dudnik Stern

Cutcaster, a community-based online content marketplace launched last week in New York, promises a new way to buy and sell stock images and video. Co-founder and previous stock-trader John Griffin says Cutcaster takes after Wall Street, “where electronic trading platforms seamlessly helped buyers and sellers find one another, negotiate on pricing and cut out the expensive and inefficient middleman.”

Griffin believes that the time for the stock industry’s middlemen, which include both traditional agencies and newer Web-based distributors, is over. The NASDAQ-like Cutcaster offers an alternative to both. It lets visual content-owners control pricing, while allowing buyers to negotiate and even commission work through its ProjectRequest feature.

Creators can set their own prices for still and motion content. Cutcaster provides assistance, in the form of an optional patent-pending algorithm that helps determine the true market value of any piece of content. Buyers can make purchases at the listed price or submit a lower bid to the seller. In turn, the seller can accept, decline or choose to negotiate further…..

Thanks Julia and check out more of the article over at Selling Stock.

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If you are not signed up yet at Cutcaster, you probably haven’t seen what your studio page looks like or the amount of features we have built for you inside. Here is a quick screenshot of all you are missing ;-)

We will post more screenshots of the Cutcaster “guts” (what you see when you are logged in) and hope you register with us.

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